Freeze Your Rival Spell

Freeze your Rival Spell


The following spell is to freeze the negativity sent by an enemy. It is an
ancient spell that is very potent. If you cast it you can rest assured that you
will certainly stop the antics of your enemy (without harming them). This spell
can be cast at any time and During any phase of the moon.


Ingredients:

1 piece of paper large enough for you to print the full name
of your enemy.

A refrigerator

1 ice-cube tray or small plastic bottle.


METHOD:

Step (1) Print the name of your enemy on paper.
If you don't know your enemy's name, just print
"ALL MY ENEMIES".

Step (2) Place paper in ice-cube tray.

Step (3) Fill ice-cube tray with Water and place in the freezer compartment of
refrigerator. As you place the tray in freezer repeat this verse:

"Stay there and freeze
For as long as I please."

Step (4) Leave name in ice until Danger is past. Do not allow ice to thaw.

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Mirror Protection Spell For The Home

A Mirror Spell Of protection For The Home

Compose an altar: place a censer in the center before an image of the Goddess.
Have a twelve-inch (or so) round mirror there as well. Ring the altar with nine
white candles. Burn a protective incense (such as sandalwood, frankincense,
copal or rosemary) in the censer. Beginning with the candle most directly before
the Goddess image, say these or similar words:

Lunar light protect me!

Repeat as you light each candle until all are glowing.
Now, holding the mirror, invoke the Goddess in Her lunar aspect with these or
similar words:

Great Goddess of the Lunar Light
and Mistress of the Seas;
Great Goddess of the Mystic Night
and of the Mysteries;
Within this place of candles bright
and with Your mirror nigh;
Protect me with Your awesome might
while ill vibrations fly!

Standing before the altar, hold the mirror facing the candles so that it
reflects their flames. Keeping the mirror toward the candles, move slowly,
clockwise, around the altar, watching the reflected firelight bouncing off your
surroundings.

Gradually increase your speed, mentally invoking the Goddess to protect you.
Move faster and faster; watch the light shattering the air, cleansing it,
burning away all negativity and all lines along which the ill energies have
traveled into your home.

Charge your home with the protective light of the Goddess. Race around the
candles until you've felt the atmosphere change, until you feel that your home
has been cleansed and guarded by the Great Goddess.

When finished, stand once again before the image. Thank the Goddess in any words
you wish. Pinch out the candles one by one, bind them Together With white cord
and store them in a safe place until (and if) you need to use them again for
this same purpose.

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The Art And Meaning Of Magic

Book: The Art And Meaning Of Magic by Israel Regardie

These essays, now revised and brought together, represent the fruit of a lifetime’s study and Experience of a master of modern magic. The emphasis throughout is on Practical methods of releasing the vast inner potential on which magic depends, with the aim of finding ‘the jewel of a new life’ - a life full of creative possibilities based on a radical renewal of consciousness. This volume contains; The Art and Meaning of Magic, A Qabalistic Primer, Meditation, The Qabalah of Number and Meaning, and The Art of True Healing.

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Consecration Ritual

Tools Needed:

3 candles
Gold or black for the God
Silver or white for the Goddess
One red candle for the element of Fire
Incense, any type will do. Nothing over bearing.
The object that you wish to consecration, sanctify, and purify.
Water and Salt
Oil for anointing the object

First ground and center yourself. Begin to breathe deeply and slowly, removing yourself from the mundane world. Close your eyes and allow the magick of the Lord and Lady to surround you with Love and Light.

Repeat 3 times: In Perfect Love and Perfect Trust.

When you feel that your consciousness is on the highest spiritual level, open your eyes and light the two candles signifying the presence of the Lord and Lady.

Then light an incense and red candle to assist in the consecration. Take a pinch of salt and mix it with the water repeating:

I exorcise O ye elements of salt and water, removing all negative and disharmonious energies. I now bless thee in the name of the God and Goddess to assist me in this purification.

Now, take the object in one hand. Dip your finger in the mixture of salt and water, then place a few drops of this mixture on the object repeating:

I now purify this "NAME of OBJECT" in the name of the God and Goddess casting out any negative or disharmonious energies sending them into the ethers. I purify thee clean and sacred!

Now, move the object first over the Fire candle, then the burning incense, repeating:

I now sanctify this "NAME of OBJECT" in the name of the God and Goddess casting out any negative or disharmonious energies sending them into the ethers.

Lastly, anoint the object with the oil, repeating:

I consecrate this "NAME of OBJECT" in the name of the God and Goddess to be used only as a magickal tool. Let this object forever and a day, give Love and Light to my path.

Once again close your eyes and take a deep breath allowing the spiritual world to begin to leave. Thank the Lord and Lady for their presence in your life. Open your eyes and return to the mundane world. It is your choice to leave or extinguish the candle's flame and the burning incense. But never, never blow them out, use a candle snuffer or simply pinch the flame out! Always show love and respect!

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Anton Szandor Lavey - The Satanic Rituals
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Pagan Spells Life Spells

Book: Pagan Spells Life Spells by Al Selden Leif

Many of these spells involve concepts commonly known and publicly discussed. Therefore they have become integrated into magical and spiritual culture. If I am unaware of the author or creator of a specific work, I have attributed it herein as "Anonymous". If you are aware that a certain work or spell archived here was previously published or is improperly credited, please contact me. I will either remove the entry or properly accredit the selection.

The sources of these spells are varied. Some are captured from Usenet. I have edited several of these entries for typographical errors. In many cases, I have extracted the ingredients or spell components and reformatted the work for ease of use. I have also provided links to products pages for those who want to order spell components.

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Circle Purification No Incense For Those With Allergies

A Circle Purification that doesn't use Incense: for asthmatics, those with allergies, and those with other pulmonary disorders by Matrika.

This ritual was inspired when someone in our circle back in Central Massachusetts started dating a young woman who was a great herbalist, knowledgeable about crystal healing, a competent tarot-reader and a beginning astrologer. She had read "Spiral Dance" by Starhawk on the Craft of the Wise (Wicca) and wore a pentagram around her neck, but couldn't try circle work because she was allergic to smoke and had a serious asthma problem.

So, here's the rite. You prepare your altar as usual, with the exception of the incense and incense burner. 5 non-electric pot-pouri burners filled with water and an appropriately scented pot-pouri should be on or near the altar with 5 candles. Be sure that you use the correct type of candles for your pot-pouri burners, as other types can destroy the burners. Put these on the altar, which should be at the center of the circle and facing North or East according to your custom. If they do not fit without obstructing the work, place them in a semi-circle at the foot of the altar. Have matches there to light the candles under them at the proper time.

The rite

(Leader 1 should be a male, if possible. Leader 2 should be a female, if possible.)

Leader 1 - blessing the water and herbal mixture in each pot-pouri burner with the wand. A long-stem rose with the thorns removed can be used for a wand if you do not yet have one. Of course, this must be replaced each time you do a ritual

"By Fire and By Air
By Water and by Earth
by the Lady and the Lord
I conjure thee to purify our circle this night"

all - " So mote it be"

He takes one of the burners and the matches to the North where he lights it. Leader 2 accompanies him with her wand, after he lights it she raises her wand and says

"By fire and air
By water and by earth
Let us purify the
Northern Quarter of our circle"

There is a pause during which everyone visualizes (vividly imagining in every detail from a relaxed, meditative state) an arc of rainbow light forming that quarter of the circle then, when she lowers the wand, everyone responds.

all - "So Mote It Be"

Leader 1 returns to the central altar and gets the next burner, placing it in the East and lighting it. Leader 2 continues in the same way as above. This procedure is then repeated in the South and then in the West. Each time the invocation is changed to reflect the direction they are in. Each time the group visualizes the rainbow arc of light. And after each direction, Leader 1 returns to the center to get the burner for the next direction ready. By constantly returning to the center each time, the emphasis is placed there. After the Western quarter is lit, Leader 1 places the final burner on the altar, between the candles, where the incense burner would be if there was one and lights it. Leader 2 stands before the altar, raises her wand and says

"By Fire and by air
By water and by earth
Let us purify the sacred center of our circle
where Heaven and Earth Unite
and Where the Lord and Lady are joined in love."

While her wand is raised, everyone visualizes the rainbow light from the outer circles flooding in to the center and filling the circle with harmonious vibrations and energies. After a few moments, she lowers her wand and everyone responds.

all- "SO mote it be"

The circle casting is continued as usual with the invocations of the elements at the 4 corners, according to your tradition. Then the actual circle-casting is done as usual. After this do whatever rite and/or magick you would usually do and close in the usual manner. Be sure to snuff the candles and not to blow them out. Use a silver teaspoon to do this, if you don't have a snuffer. This ceremony ONLY replaces the part of the rite where you sprinkle with salt-water and then cense the circle to purify it in PREPARATION for the actual circle casting. It is NOT the full casting of the circle. (Some traditions purify with all 4 elements separately, sprinkling salt on the floor for earth, water on the floor for itself, censing the circle for air, and carrying a candle around
for fire. Either way this rite replaces the elemental purification, as the burners embody all 4 elements - the water for itself, the candle for fire, the herbs for earth, and the scent the steam gives off for air.)

OF course the pot-pouri burners used for this should only be used in your psychic work and should have been consecrated or smudged (by someone who can deal with the smoke) in preparation for this ritual.

To prepare appropriate pot-pouri scents for the purpose of your rites, use the directions for making the various home-made herbal incenses traditional in Witchcraft and in Magick; however, don't grind them with a mortar and pestle as you would in making incense. If you do not know the recipes for these, any of the Scott Cuningham books on making incenses would provide them for you. They are available from Llewelyn Publishing, box 64383 St. Paul Minnesota. (They will send you a free catalogue on request)

Despite the initial cost involved in obtaining the 5 burners, it is highly suggested you do it that way for two reasons:

1. In anything but a very small and enclosed space, you will not get enough scent to represent the air element sufficiently for magickal and ritual working.
2. To represent all 4 elements in EACH of the quarters and in the center of the circle is very important in establishing the traditional boundaries between the worlds the ordinary and non-ordinary or shamanic realities) that is the purpose of casting the circle and creating sacred space.

ALSO IF YOU TRY TO CARRY A POT-POURI BURNER THAT IS LIT AND HOT ENOUGH TO BE GIVING OFF THE SCENTED STEAM AROUND THE PERIMETER OF THE CIRCLE, YOU WILL CERTAINLY BURN YOUR FINGERS BADLY. (It is not appropriate to bring a pot holder into circle to carry it either! PLEASE!)

I hope this is helpful to those who have breathing problems and wish to perform magick.

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Eliphas Levi - The Conjuration Of The Four Elements

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Magic In Slavia Orthodoxa The Written Tradition

Book: Magic In Slavia Orthodoxa The Written Tradition by Robert Mathiesen

This is an extract from: Byzantine Magic edited by Henry Maguire © 1995 Dumbarton Oaks Trustees for Harvard University Washington, D.C. Printed in the United States of America published by Dumbarton Oaks Research Library and Collection Washington, D.C.

Ethnographers and folklorists interested in the Orthodox Slays have long been aware of the rich oral traditions of magic in that part of the world, and have been collecting and studying texts of magical foildore for well over a century.
Particularly valuable are the extensive collections of East Slavic folk incantations published long ago by L. Majkov and by N. Vinogradov, but South Slavic materials are also available in quantity.

Philologists and historians, in sharp contrast, have paid little systematic attention to the corresponding written traditions of magic and the Occult Sciences among the medieval Orthodox Slays. Some Magical Texts havebeenpublished,
and others studied, but always only in passing, by scholars who were pursuing other interests, such as describing manuscripts or editing texts for the historical study of literature, language, the Bible, liturgy, church history, the
sciences—in short, of anything and everything except magic in its own right. This neglect of magic as a subject of scholarship is only partly the consequence of a kind of rationalistic or scientific distaste for magic itself, or of
discomfort in the presence of magicians who took their magic seriously. It is also due to the intractability of the magical texts themselves.

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Magic And Wyrd

Book: Magic And Wyrd by Anonymous

Wyrd is the underlying fabric in the Northern/Germanic cosmology. The laws of Wyrd supercede the will of the Gods, of men and all creatures. Wyrd provides the basic structure for the Nine Worlds, and manifests itself in Yggdrasil and the Well of Urdr.

One can compare Wyrd to a song, there are many differnt ways to sing it but the basic tune remains the same. Wyrd is also frequently seen as weaving, different threads coming together on a framework to make a pattern.

Magic is one of the ways we interact with Wyrd. "Knowing" magic (in Manny Olds' words) or "predictive" magic (Groa's) is about becoming aware of the patterns in Wyrd and the disposal of individual strands in the tapestry. Spae-work and Rune-work are two of the techniques which can be used for this.

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Civility And The Decline Of Magic

Book: Civility And The Decline Of Magic by Keith Thomas

One of the most puzzling aspects of the emergence of a new kind of world in the last few centuries in the West is the development of what we now call 'science'. The shift from a magical and religious dominated cosmology to a mechanistic and secular one, though far from complete and far from confined to the period roughly between 1550 and 1850, is in general undisputable. Until that time it had not happened in other civilizations such as China, Japan or the Islamic world, which had much earlier reached a higher level of craft knowledge than anything then current in Europe. So why did it happen where it did, when it did, and why did it happen at all? A number of historians, for example Thomas Kuhn and Michel Foucault, have drawn attention to the 'paradigmatic' or 'epistemic' shift manifested in the work of Galileo, Descartes and others. Yet while providing examples of the shift, neither has been able to put forward any plausible explanation of why the shift occurred. Indeed they both specifically state that they leave it to others to explain why. More recently we have been given an excellent, revised, picture of the earlier magic cosmology and its continuity with the later 'scientific' one by Stuart Clark. Yet once again, the author explicitly states that he is not attempting to provide any explanation of why the cosmologies changed over time. Some of the most stimulating suggestions concerning the reasons for the change have, in fact, come from anthropologists, who draw attention to the importance of literacy, the 'trade-travel' complex, Protestantism, the clash of cultures and other factors in the movement to the 'Open society' of modern science and technology.

Download Keith Thomas's eBook: Civility And The Decline Of Magic
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